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After describing aspects of the cultural formations of the Guga tradition, and particularly its manifestations in both elite and non-elite literary and oral epic forms, the essay turns Prostittes a Jalor Punjabi play, Baba Bantu, that draws on the Guga tradition to explore the aJlor of gender and caste power. No account? Most researchers use their institutional email address as their ResearchGate login.
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Written by Charan Das Sidhu and Prostututes produced inthe play demonstrates the intimate relationship between the progressive commitments of modern Punjabi literary production and the cultural worlds that the Guga tradition represents.
- The play allows us to reconsider the spectre of the Jalor in postcolonial Indian cultural production outside of a simple binary of folk vs.
- The article thus examines how debates about folk cultures - as well as culture and tradition themselves - emerge in a critical cultural historical practice on a tradition like Gugas, and the role of modern Punjabi literature as a form of that practice. Prostitutes
- The making of the imperial subjects is as much a matter of historical process as the emergence of the empire.
- Cultural historical practice and the modernity of the Guga tradition.
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